The monotypes in the series, Flashbulb Memories, explore the relationship between personal and cultural versions of history. The prints represent the fluid impression of memory images that I associate with major historical events of my lifetime. These kinds of memories are also known as flashbulb memories, “memories of the circumstances in which one first learned of a very surprising and consequential event” (Brown and Kulik, 1977).
I began each image by recalling a significant event in American history such as the shootings at Kent State in 1970 or the Oklahoma City bombing in 1995, and then conflating those cultural memories with associated personal ones. Our memories of historical events are often constructed from a combination of news images and personal recollections, and are then woven into idiosyncratic, animated holograms that shape our understanding of the world and ourselves.